Platforms like the National Cyber Crime Reporting Portal in India allow victims to report cybercrimes anonymously and request the takedown of malicious links. Victim Support and Mitigation
It gives a voice to the voiceless, highlights ignored civic issues, and promotes cultural pride.
If you or someone you know faces a digital privacy crisis, contact the nearest cybercrime cell or visit the government's official cybercrime portal (cybercrime.gov.in). We all have a part to play—think critically before sharing, and never contribute to the spread of potentially manipulated content.
Videos highlighting exceptional academic talent, such as teenagers building drones, or students from rural areas cracking tough competitive exams (like IIT-JEE or UPSC) while overcoming immense poverty, often go viral. These videos represent the "Bihar Pride" narrative—focusing on intelligence, hard work, and resilience. B. Comedy and Cultural Commentary
The social media discussion that follows is rarely a debate; it is a performance of superiority. Commenters from metropolitan cities—Mumbai, Delhi, Bengaluru—use the video as a foil to project their own "modernity" and "civility." This discourse reveals a deep-seated geographical and class bias. Bihar, a state with a rich history spanning the Mauryan and Gupta empires, is reduced to a caricature defined by poverty, lawlessness, and migration. Social media allows for a form of digital "punching down," where dominant castes and urban elites engage in what sociologists call "virtual untouchability." The anonymity of the screen emboldens users to express a level of vitriol that would be socially unacceptable in physical spaces. The discussion is not about solving the real issues the video might accidentally highlight—such as overpopulation, lack of employment, or crumbling infrastructure—but about mocking the symptoms of those very issues.
: A video starts circulating on social media platforms like Telegram, WhatsApp, and Instagram, with claims that it features a well-known personality from Bihar (often from the Bhojpuri film or music industry).
Social media discussions around these videos usually focus on the need for better infrastructure, institutional scouting, and the democratization of opportunity through the internet. 2. Social and Systemic Commentary
| Market | open | close | Results |
|---|---|---|---|
| SRIDEVI MORNING | 10:00 AM | 11:00 AM | View Chart |
| KARNATAKA DAY | 10:00 AM | 11:00 AM | View Chart |
| MILAN MORNING | 10:30 AM | 11:30 AM | View Chart |
| KALYAN MORNING | 11:00 AM | 12:00 PM | View Chart |
| MADHUR MORNING | 11:30 AM | 12:30 PM | View Chart |
| SRIDEVI | 11:35 AM | 12:35 PM | View Chart |
| TIME BAZAR | 1:00 PM | 3:15 PM | View Chart |
| MADHUR DAY | 1:30 PM | 2:30 PM | View Chart |
| MILAN DAY | 2:10 PM | 4:10 PM | View Chart |
| RAJDHANI DAY | 3:10 PM | 5:10 PM | View Chart |
| SUPREME DAY | 3:35 PM | 5:35 PM | View Chart |
| KALYAN | 4:50 PM | 6:50 PM | View Chart |
| KARNATAKA NIGHT | 6:35 PM | 7:35 PM | View Chart |
| SRIDEVI NIGHT | 7:16 PM | 8:15 PM | View Chart |
| MADHUR NIGHT | 8:30 PM | 10:30 PM | View Chart |
| SUPREME NIGHT | 8:45 PM | 10:44 PM | View Chart |
| MILAN NIGHT | 9:05 PM | 11:05 PM | View Chart |
| RAJDHANI NIGHT | 9:20 PM | 11:30 PM | View Chart |
| KALYAN NIGHT | 9:30 PM | 11:30 PM | View Chart |
| MAIN BAZAR | 9:45 PM | 11:50 PM | View Chart |
| Name | Time | Results |
|---|---|---|
| 10:00 AM | 10:00 AM | ***-* |
| 11:00 AM | 11:00 AM | ***-* |
| 12:00PM | 12:00 PM | ***-* |
| 01:00 PM | 1:00 PM | ***-* |
| 02:00 PM | 2:00 PM | ***-* |
| 03:00 PM | 3:00 PM | ***-* |
| 04:00 PM | 4:00 PM | ***-* |
| 05:00 PM | 5:00 PM | ***-* |
| 06:00 PM | 6:00 PM | ***-* |
| 07:00 PM | 7:00 PM | ***-* |
| 08:00 PM | 8:00 PM | ***-* |
| 9.00 PM | 9:00 PM | ***-* |
| 10:00 PM | 10:00 PM | ***-* |
| Name | Time | Results |
|---|---|---|
| DESAWAR | 4:00 AM | ** |
| DUBAI BAZAR | 12:15 PM | ** |
| DELHI BAZAR | 3:00 PM | ** |
| SHREE GANESH | 4:00 PM | ** |
| FARIDABAD | 5:30 PM | ** |
| GHAZIABAD | 8:45 PM | ** |
| GALI | 11:00 PM | ** |
Platforms like the National Cyber Crime Reporting Portal in India allow victims to report cybercrimes anonymously and request the takedown of malicious links. Victim Support and Mitigation
It gives a voice to the voiceless, highlights ignored civic issues, and promotes cultural pride.
If you or someone you know faces a digital privacy crisis, contact the nearest cybercrime cell or visit the government's official cybercrime portal (cybercrime.gov.in). We all have a part to play—think critically before sharing, and never contribute to the spread of potentially manipulated content.
Videos highlighting exceptional academic talent, such as teenagers building drones, or students from rural areas cracking tough competitive exams (like IIT-JEE or UPSC) while overcoming immense poverty, often go viral. These videos represent the "Bihar Pride" narrative—focusing on intelligence, hard work, and resilience. B. Comedy and Cultural Commentary
The social media discussion that follows is rarely a debate; it is a performance of superiority. Commenters from metropolitan cities—Mumbai, Delhi, Bengaluru—use the video as a foil to project their own "modernity" and "civility." This discourse reveals a deep-seated geographical and class bias. Bihar, a state with a rich history spanning the Mauryan and Gupta empires, is reduced to a caricature defined by poverty, lawlessness, and migration. Social media allows for a form of digital "punching down," where dominant castes and urban elites engage in what sociologists call "virtual untouchability." The anonymity of the screen emboldens users to express a level of vitriol that would be socially unacceptable in physical spaces. The discussion is not about solving the real issues the video might accidentally highlight—such as overpopulation, lack of employment, or crumbling infrastructure—but about mocking the symptoms of those very issues.
: A video starts circulating on social media platforms like Telegram, WhatsApp, and Instagram, with claims that it features a well-known personality from Bihar (often from the Bhojpuri film or music industry).
Social media discussions around these videos usually focus on the need for better infrastructure, institutional scouting, and the democratization of opportunity through the internet. 2. Social and Systemic Commentary