Raxon uses a tight, compressed kick drum with a long decay – typical of melodic techno. The clap is dry and sits slightly back in the mix. Hi‑hats are shuffled, not straight, giving a subtle swing that contrasts with the original’s robotic precision. Percussion loops (shakers, woodblocks, a faint clave) appear and disappear, creating a sense of evolution.
gained massive traction after being championed by heavyweights like Maceo Plex Adam Beyer Sven Väth at major festivals.
It reached number one in over 30 countries, including the UK, Germany, and Australia. RUN DMC- Jason Nevins - It-s Like That -Raxon E...
The story begins in 1983 when released the original "It's Like That" backed with "Sucker M.C.'s." Driven by raw, abrasive, and minimalist drum machines, the track stripped away the disco-infused style of early rap and ushered in the "new school" era of hip-hop. Its socially conscious lyrics detailing economic hardships and street realities became an instant anthem. 2. The 1997 Jason Nevins Remix: A Global Chart-Topper
. Nevins took the aggressive, staccato delivery of Joseph "Run" Simmons and Darryl "D.M.C." McDaniels and layered it over a driving house beat Raxon uses a tight, compressed kick drum with
The commercial release of the remix came in multiple distinct formats, which would later prove important for editors like Raxon. The most commercially successful version was known as the Drop The Break Radio Edit , which had a run time of 4:09. For club DJs, a longer Drop The Break version was available, extending the track to 8:20. However, the most sought-after version for those looking for material to remix or re-edit was the a massive 8-minute behemoth that emphasized the drum patterns and raw percussive elements of Nevins' original remix. It is this dense, rhythm-heavy version that provides the primary source material for producers who wish to add their own stamp to the track.
The "It's Like That (Raxon Edit)" mashup became an instant hit, topping the charts in several countries, including the US, UK, and Australia. The song's innovative production and seamless blending of styles helped to introduce RUN DMC's music to a new generation of listeners, while also cementing Nevins' reputation as a talented producer. Percussion loops (shakers, woodblocks, a faint clave) appear
“Unemployment at a record high / People coming, people going, people born to die / Don’t ask me, because I’m just a guy / You see, it’s like that, and that’s the way it is.”
. Unlike the house-heavy original, Raxon’s version focuses on driving percussion and "stripped-back" peak-time elements. Production Breakdown & Guide 1. Foundation: The Groove Typically sits between 128–130 BPM , common for peak-time techno sets. Replace the original house-style kick with a heavy, distorted techno kick